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・ Piano Sonata No. 23 (Beethoven)
・ Piano Sonata No. 24 (Beethoven)
・ Piano Sonata No. 25 (Beethoven)
・ Piano Sonata No. 26 (Beethoven)
・ Piano Sonata No. 27 (Beethoven)
・ Piano Sonata No. 28 (Beethoven)
・ Piano Sonata No. 29
・ Piano Sonata No. 29 (Beethoven)
・ Piano Sonata No. 29 (Geirr Tveitt)
・ Piano Sonata No. 3
・ Piano Sonata No. 3 (Beethoven)
・ Piano Sonata No. 3 (Brahms)
・ Piano Sonata No. 3 (Chopin)
・ Piano Sonata No. 3 (Mozart)
・ Piano Sonata No. 3 (Prokofiev)
Piano Sonata No. 3 (Scriabin)
・ Piano Sonata No. 30 (Beethoven)
・ Piano Sonata No. 31 (Beethoven)
・ Piano Sonata No. 32 (Beethoven)
・ Piano Sonata No. 4
・ Piano Sonata No. 4 (Beethoven)
・ Piano Sonata No. 4 (Mozart)
・ Piano Sonata No. 4 (Prokofiev)
・ Piano Sonata No. 4 (Scriabin)
・ Piano Sonata No. 5
・ Piano Sonata No. 5 (Beethoven)
・ Piano Sonata No. 5 (Mozart)
・ Piano Sonata No. 5 (Prokofiev)
・ Piano Sonata No. 5 (Scriabin)
・ Piano Sonata No. 6


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Piano Sonata No. 3 (Scriabin) : ウィキペディア英語版
Piano Sonata No. 3 (Scriabin)
The Piano Sonata No. 3 in F-sharp minor, Op. 23, by Alexander Scriabin was composed between 1897 and 1898. The sonata consists of four movements, typically spanning 18 minutes in performance.
==Background==
Scriabin had been married to a young pianist, Vera Ivanovna Isaakovich, in August 1897. Having given the first performance of his Piano Concerto at Odessa, Scriabin and his wife went to Paris, where he started to work on the new sonata. Scriabin is said to have called the finished work "Gothic", evoking the impression of a ruined castle. Some years later however, he devised a different programme for this sonata entitled "States of the Soul":
Together with Camille Saint-Saëns, Edvard Grieg and Sergei Rachmaninoff, Scriabin is one of the few composers from the Romantic era to have left a recorded legacy. He recorded this sonata before 1912 on piano rolls for Hupfeld-Phonola, a German maker of Player Pianos. This recording includes some deviations from the printed music.〔Scriabin, Alexander. ''Complete Piano Sonatas''. Edition Peters, 1971, edited by Günther Philipp (b. 1927). Features some footnotes on how the composer actually played some of his pieces. In this case, it is believed that the left-hand accompaniment of the 4th movement was simplified.〕 Many of the sonatas were also recorded by Scriabin’s son-in-law Vladimir Sofronitsky. Other notable recordings include those by Emil Gilels, Vladimir Horowitz, Glenn Gould, Evgeny Kissin and Burkard Schliessmann.

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